“The past is a foreign country: they do things
differently there.”
Summering with a
fellow schoolboy on a great English estate, Leo, the hero of L. P. Hartley’s
finest novel, encounters a world of unimagined luxury. But when his friend’s
beautiful older sister enlists him as the unwitting messenger in her illicit
love affair, the aftershocks will be felt for years. The inspiration for the
brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan
Bates, The Go-Between is a masterpiece—a richly layered, spellbinding
story about past and present, naïveté and knowledge, and the mysteries of the
human heart. This volume includes, for the first time ever in North America,
Hartley’s own introduction to the novel.
Colm Toibin, The Go-Between (New York Review Books Classics)
Quotes
The first time I
read it, it cleared a haunting little spot in my memory, sort of like an embassy
to my own foreign country…. I don’t want to spoil the suspense of a well-made
plot, because you must read this, but let’s just say it goes really badly and
the messenger (shockingly) gets blamed. Or he blames himself anyway. And here
the mirror cracks; the boy who leaves Brandham is not the one who came. Indeed
the narrator converses with his old self as though he were two people. That was
the powerful gonging left by my first read: What, if anything, bundles us
through time into a single person?
—Ann Brashares, “All Things Considered”, NPR
—Ann Brashares, “All Things Considered”, NPR
I can’t stop
recommending to anyone in earshot L.P. Hartley’s The Go-Between…. One of
the fabled opening lines in modern literature: ‘The past is a foreign country:
They do things differently there.’ The NYRB paperback has a superb new
introduction by Colm Tóibín, but don’t read it until after you’ve read the book
itself.
—Frank Rich, New York Magazine.com
—Frank Rich, New York Magazine.com
Like Henry James,
his most obvious literary forebear, Hartley examines the nuances of morality
with a shimmering exactness, focusing on characters like Leo, the narrator of The
Go-Between, caught between natural impulses and the social conventions that
would thwart them.
— Jay Parini, The New York Times
— Jay Parini, The New York Times
A beautifully
written and absorbing book.
— Atlantic Monthly
— Atlantic Monthly
Mr. Hartley is
amazingly good, and no reader of serious fiction should miss this book.
— Los Angeles Times
— Los Angeles Times
Its famous
formulation about the past sets the tone: this is a strange and beautiful book.
I first read it in my early teens, and its atmosphere of yearning for lost
times and of childish innocence challenged has haunted me ever since.
— Ian McEwan
— Ian McEwan
Exuding such a
sense of summer the pages might be warm to touch, Hartley’s coming-of-age tale
is set during the heatwave of 1900. It all ends in tears, but not before there
have been plenty of cucumber sandwiches on the lawn.
— The Observer
— The Observer
If you yearn for
the stillness of an English summer while baking in foreign heat, then pack LT
Hartley’s The Go-Between. Told through the eyes of a boy on the edge of
puberty, this story of an illicit love affair across class in a ripe Edwardian
summer has the emotions rising with the mercury. Love, the pain of adolescence
and the lure of the forbidden. Without it, Ian McEwan could never have written Atonement.
— Sarah Dunant, The Daily Telegraph
— Sarah Dunant, The Daily Telegraph
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